The World of Mind Control Through the Eyes of an Artist with 13 Alter Personas Part III(Readers Discretion Advised)

Ria Pratt

The paintings made by Ria Pratt are the most graphic and disturbing but also the most revealing. The alter believes she is a 12 year old girl and has vivid recollections of the trauma she has been subjected to, whether it be sexual, physical or dehumanizing. Simply watching these paintings is a difficult experience – it is further disheartening to realize that she actually lived these situations.

“It’s a Dog’s Life” depicts mind control victims being held on a leash like dogs – a technique to humiliate and dehumanize the victims. Notice the “transparent” version of the children floating in the air, representing their dissociated alter personality. An inscription on the wall says “Pratt Was Here” which emphasizes the fact that she saw and lived these things first hand.

 

Entitled “Too Much”, the painting depicts a victim being electroshocked by a handler with a sick smile. The pain is “Too Much” to handle, resulting in the victim’s dissociation.

“What Ted Saw” depicts the abuse of a small child by its handlers. “Ted” is the small Teddy Bear sitting on the floor. Young mind control victims are often given Teddy Bears by their handlers to make them develop an emotional attachment to them. This attachment is then exploited by the handlers to create emotional trauma.

In “Ted’s Legless”, Ria’s handler rips off one of her best friend’s legs while forcibly holding her on the ground. The trauma causes dissociation, which is represented by the transparent version of the girl. Haunting words are inscribed on the wall: “Help Me Please” and “Pratt was Here”.

The symbol of a teared up teddy bear sometimes utilized by mass media in works containing hidden references to mind control. This scene is from a music video from pop singer Jessie J’s (see full article here), which contains several references to Monarch programming.

“Unspeakable” depicts the unspeakable: the abuse of small children by their handlers. Strange phrases a written on the wall along with an inverted cross, a symbol that appears to be hardwired into the brains of Monarch slaves.

“No No!” depicts a forced abortion or premature birth. The bloody operation is witnessed by Ria, probably to traumatize her. According to Ellen P. Lacter, fetuses are either sacrificed in rituals or used as slaves.

 

Another of abuse involving children, who have dissociated (transparent bodies floating).

Children caged up like animals about to be tortured by a handler (who also appears to have dissociated).

This sums up the life of a Monarch slave.

In Conclusion

Although Kim Noble enjoyed some mainstream exposure, the true source of the artist’s condition – Monarch programming – is nowhere to be found in mass media. Analyzed in its entirety, Noble’s body of work describes a highly organized and complex system that appears to hold great amounts of knowledge- occult and scientific – as well as material resources. This system also appears to literally own humans, mostly children, who are abused and traumatized to create within them programmable alter personas. The fact that no newspapers dared to investigate (or even mention) anything related to MK-Ultra, a program that was proved to use the exact techniques described in the paintings, tells volumes about the power of those operating it. The soulless handlers depicted in Noble’s paintings are not lone psychopaths, but high level officials of the Illuminati system who enjoy media immunity. In fact, they are sometimes part of the media as the worlds of the entertainment business and Monarch programming often collude.

Partly for this reason, the symbolism used during Monarch programming has spilled over to the mainstream entertainment business. Some of the world’s biggest stars are products of mind control. The same symbols used in the programming of Monarch slaves is sent to the world through mass media. High level mind control handlers and slaves (those who have “succeeded” at the various levels of programming) end up operating in show business. Some of our favorite entertainers are nothing more than puppets whose strings are pulled by unseen handlers. These handlers are “unseen” to most, but they certainly make themselves “seen” through the symbolism placed in the media.

Many of the symbols described on this site directly originate from the shady world of Monarch programming, which uses a complex system of occult images and powerful triggers. Although most of us are fortunate enough not to live through the hell endured by these MK slaves, we are still subject to a form of programming using movies, television, music and other forms of mass media. Those who operate behind the scenes attempt to slowly normalize their existence and their depraved behaviour. Why are children being so aggressively sexualized in mass media? Is it because people in the entertainment business are connected with the people who commit the horrific acts portrayed above? Sadly, the reality is sicker than the fiction.

Vigilant Citizen

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About irmedeaca


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